Meister der unabhängigen und experimentellen Animation - Literatur

Achtung: Bitte auch folgende Literaturliste verwenden: http://www.uni-leipzig.de/~wehn/anima/theory/literat/index.htm (enthält noch zusätzliche Angaben)

Agde, Günter. Flimmernde Versprechen. Geschichte des deutschen Werbefilms im Kino seit 1987. Berlin 1998.

Animation in Neuen Medien. http://www.animationproject.org

Animation Journal, Volume 7, No. 2, Spring 1999

Animation World Network. http://www.awn.com

Bakargiev, Klaus: Animations. Berlin: Institute for Contemporary Art 2003.

Beck, Jerry: Outlaw Animation. Cutting-Edge Cartoons From theSpike & Mike Festivals. New York: Harry N. Abrams 2003.

Bendazzi, Giannalberto (Hrsg.): Alexeieff. Itinery of a Master. Dreamland, Paris: Cinémathéque Francaise 2001.

Bendazzi, Giannalberto: Cartoons. One Hundred Years Of Cinema Animation. Bloomington, Indianapolis: Indiana University Press 1994.

Betancourt, Michael: Visual Music Instrument Patents: Volume One. San Bernadino, Kalifornien: Borgo 2004.

Bishop, Bainbridge: A Souvenir of the Color Organ . 1893. http://rhythmiclight.com/books/HarmonyOfLight.pdf (als PDF verfügbar!)

Bouhours, Jean Michel (Hrsg.): Len Lye. Paris: Edition Centre Pompidou 2000.

Brougher, Kerry; Jeremy Strick, Ari Wiseman and Judith Zilczer: Visual Music: Synaesthesia in Art and Music Since 1900. New York: Thames and Hudson.

Buchan, Suzanne; Andres Janser: Trickraum – Spacetricks. Merian, Christoph 2005.

Busse, Tanja: Mythos in Musikvideos: Weltbilder und Inhalte von MTV und VIVA. Münster: Lit 1996.

Crafton, Donald: Before Mickey: The Animated Film 1898 – 1928. Chicago and London: University of Chicago Press 1982.

Crafton, Donald: “Tricks and Animation”. In: Novell-Smith, Geoffrey (Ed.): The Oxford History of World Cinema. New York: Oxford University Press 1996, 71-78.

Culhane, Shamus: Animation. From Script to Screen. New York, St. Martin's Press 1988.

Curnow, Wystan; Roger Horrocks (Hrsg.): Len Lye: Figures of Motion. Selected Writings. Oxford: Oxford University Press/Auckland University Press 1984.

Curtis, David: Experimental Cinema. London: Studio Vista 1971.

Eisenstein, Sergej: Eisenstein on Disney. Seagull 1993 (1986 veröffentlicht)

Eisenstein, Sergej: Film Form. Film Form: Essays in Film Theory. Harcourt 1949.

Eisenstein, Sergej: The Film Sense. Harcourt 1947.

Faber, Liz; Helen Waters: Animation Unlimited. Innovative Short Films Since 1940. London: Lawrence King 2003 (inkl. DVD mit Filmen und Filmausschnitten).

First Light Exhibition Catalog.@@ Iota Center

Frierson, Michael: Clay Animation. American Highlights 1908 to the Present. New York: Twayne 1994.

Forst, Achim: „Feiern und verkaufen. Der Kurzfilm (über)lebt auf den Filmfestivals der Welt“. In: Film-Dienst 2, 2001, 20-22.

Forst, Achim: „Feiern und verkaufen. Festivals fürs Publikum. In: Lexikon des internationalen Films. Frankfurt 2002.

Furniss, Maureen: Art in Motion: Animation Aesthetics. Sydney: John Libbey 1998.

Furniss, Maureen: Animation--art And Industry: A Reader. Erscheint im Herbst 2006.

Galaxy Exhibition Catalog. @@@ Iota Center

Gehr, Herbert: Optische Poesie. Oskar Fischinger. Leben und Werk. Frankfurt: Filmmuseum 1993.

Goethe Institute: The German Avant-Garde Film of the 1920s. Travelling Exhibition Catalogue. 1989. (Fischinger, Richter, Eggeling, Ruttmann, Reiniger etc.)

Griffin, George (Hrsg.): Frames: Drawings and Statements by Independent Animators. New York, NY : Griffin 1979.

Halas, John: Master of Animation. Topsfield: Salem House 1987.

Halas, John: The Contemporary Animator. London, Boston: Focal 1990.

Halas, John; Harold Whitaker: Timing for Animation. London; New York : Focal Press 1981.

Halas, John: Masters of Animation, 1987 (BBC - expands on TV series);

Halas, John; Roger Manvell: The Technique of Film Animation. London, Focal P., 1968. (2. Auflage)

Haller, Robert: "Hy Hirsh". Articulated Light: The Emergence of Abstract Film in America. Cambridge, MA, Harvard Film Archive/Anthology Film Archives 1995.

Hames, Peter (Hrsg.): Dark Alchemy: The Films of Jan Svankmajer. Westport, Conn. : Greenwood Press, 1995.

Hickethier, Knut; Joan Bleicher (Hrsg.): Trailer, Teaser, Appetizer. Zu Ästhetik und Design der Programmverbindungen im Fernsehen. Hamburg: Lit 1997.

Hilton-Morrow, Wendy; David T. McMahan: "The Flintstones to Futurama: Networks and Primetime Animation". In: Stabile/Harrison 2003, 74-88.

Hoberg, Almuth: Film und Computer: Wie digitale Bilder den Spielfilm verändern. Frankfurt: Campus 1999.

Hollaway, Ronald: Z is for Zagreb 1972.

Horak, Jan-Christopher (Hrsg.): Lovers of Cinema: The First American Film Avant-Garde, 1919-1945 . (Man Ray, Mary Ellen Bute, Douglass Crockwell).

Horrocks, Roger: Len Lye: A Biography. Auckland: Auckland University Press 2002.

Horrocks, Roger: Len Lye: Happy Moments Text and Images By Len Lye. Auckland: The Holloway Press 2002.

Igliori, Paula. (Hrsg.): American Magus: Harry Smith - A Modern Alchemist New York : Inanout Press 1996.

Jackson, Laura Riding: Len Lye and the Problem of Popular Films (Literal solutions) (Unknown Binding). Seizin Press 1938.

Jenkins, Jim; Dave Quick: Motion - Motion: Kinetic Art. Salt Lake City: Peregrine Smith Books 1989.

Karlstrom, Paul J. (Hrsg.): On the Edge of America: California Modernist Art 1900-1950. (Oskar Fischinger, John and James Whitney; Kapitel von William Moritz chapter über Visual Music).

Keefer, Cindy: "Hy Hirsh Preservation: History and Mystery" KINETICA 3 catalog . Los Angeles The iotaCenter, 2001.

Kilmer, David: The Animated Film Collector's Guide: Worldwide Sources for Cartoons on Video and Laserdisc. London: J. Libbey 1997.

Kitson, Clare: Yuri Norstein and ,Tale of Tales'. An Animator's Journey. Eastleigh, John Libbey 2005.

Kunsthalle Düsseldorf (Hrsg.): Daumenkino. The Flip Book Show. Düsseldorf: Schnoeck 2005. (inkl. DVD mit verfilmten Daumenkinos und Kurzfilmen)

Laybourne, Kit: The Animation Book. A Complete Guide to Animated Filmmaking - From Flip Books to Sound Cartoons to 3D Animation. New York: Three Rivers Press 1998.

LeGrice, Malcolm: Abstract Film and Beyond. London: Studio Vista 1977.

LeGrice, Malcom: Experimental Cinema in the Digital Age. London: BFI Publ 2001.

Lye, Len: Figures of Motion. Selected Writings. Auckland : Auckland University Press: Oxford University Press 1984.

Maltin, Leonard: Of Mice and Magic. A History of American Animated Cartoons. New York: Nal 1980.

Mazurkewich, Karen: Cartoon Capers: The Adventures of Canadian Animators 1999

Moins, Philippe; Jan Temmerman: Raoul Servais: A Painter-Filmmaker's Journey.Stichting Raoul Servais Foundation 1999.

Morris, William: “Animation”. In: Novell-Smith, Geoffrey (Ed.): The Oxford History of World Cinema. New York: Oxford University Press 1996, 267-275. (1996a)

Morris, William: “Animation in the Post-Industrial Era”. In: Novell-Smith, Geoffrey (Ed.): The Oxford History of World Cinema. New York: Oxford University Press 1996, 551-557. (1996b)

Moritz, William. "Hy Hirsh & The Fifties: Jazz and Abstraction in Beat Era Film" KINETICA 3 Catalog Los Angeles, The iotaCenter, 2001.

Moritz, William: "Come Closer"

Moritz, William: "Computerama"

Moritz, William: "Oil Wipe"

Moritz, William: "Vortex Concerts"

Moritz, William: "Optical Printer"

Moritz, William: "Cameraless Films"

Moritz, William: "Computerama"

Moritz, William: "Hy Hirsh" . Articulated Light: The Emergence of Abstract Film in America. Cambridge, MA, Harvard Film Archive/Anthology Film Archives, 1995.

Moritz, William: "Non-Objective Film: The Second Generation": Film as Film: Formal Experiment in Film 1910-1975 , eds. David Curtis, Philip Drumond, Richard Francis. London, Arts Council of Great Britain, 1979.

Moritz, William: Visuelle Musik: Höhlenmalerei für MTV. In: Gehr, Herbert (Hrsg.): Sound and Vision. Frankfurt: Deutsches Filmmuseum 1993.

Moritz, William: Optical Poetry: The Life and Work of Oskar Fischinger. Bloomington : Indiana University Press 2004.

National Film Board of Canada: Norman McLaren on the Creative Process, Booklet with Video. 1991.

Noake, Roger: Animation: A Guide to Animated Film Techniques: London u.a.: McDonald Orbit 1988.

Pellegrino, Ronald: The Electronic Arts of Sound and Light. New York: Van Nostrand Reinhold 1983.

Peterson, James: Dreams of Chaos, Visions of Order: Understanding the American Avant-Garde Cinema. Detroit: Wayne State University Press 1994.

Petzke, Ingo (Hrsg.): Das Experimentalfilm-Handbuch, Schriftenreihe des deutschen Filmmuseums. Frankfurt am Main 1989.

Pike, Robert. The Film as an Art Form: A Study of the West Coast Experimental Film Movement: UCLA Masters Thesis, 1960

Pilling, Jane (Hrsg.): A Reader in Animation Studies. Sydney: John Libbey 1997.

Pintoff, Ernest: Animation 101. Studio City, California: Michael Wiese 1999.

Platthaus, Andreas: Von Mann & Maus. Die Welt des Walt Disney. Berlin: Henschel 2001.

Poitras, Gilles: Anime Essentials. Every Thing A Fan Needs to Know. Berkeley, California: Stone Bridge 2001.

Popper, Frank: The Origins and Development of Kinetic Art . London: Studio Vista 1968.

Rabinovitz, Lauren: Points of Resistance: Women, Power & Politics in the New York Avant-Garde Cinema, 1943-71. Urbana. University of Illinois Press 2003. (2. Auflage)

Richard, Valliere: Norman McLaren. Manipulator of Movement Newark: University of Delaware Press 1982.

Robinson, Chris: Last Exit on St. Laurent Street. In: Animation World Network November 1 2000 http://mag.awn.com/index.php?article_no=1656

Robinson, Chris: Unsung Heroes of Animation. Eastleigh: John Libbey 2006.

Russell, Robert; Cecile Starr: Experimental Animation: Origins of a New Art 1989.

Schenk, Ralf; Sabine Scholze (Hrsg.): Die Trick-Fabrik. Berlin: Bertz 2003.

Scheugl, Hans ; Ernst Schmidt jr., Eine Subgeschichte des Films. Lexikon des Avantgarde-, Experimental- und Undergroundfilms, Band 1 und 2. Frankfurt: Suhrkamp 1974.

Singh, Rani (Hrsg.): Think of the Self Speaking: Harry Smith, Selected Interviews. (Harry Smith) @@

Sitney, P. Adams: Visionary Film. The American Avant-Garde 1943-1978. New York : New York University Press 1978. (über Harry Smith, Jordan Belson, Robert Breer, etc.)

Sloane, Patricia: The Visual Nature of Color. New York, NY : Design Press, 1989. Hosted at RythmicLight. @@@

Solomon, Charles (Hrsg.): The Art of the Animated Image: An Anthology, @@ AFI 1993 includes "Fine Art Animation" by Cecile Starr @@@

Solomon, Charles: Enchanted Drawings. The History of Animation. New York: Knopf 1989.

Stauffacher, Frank (Hrsg.): Art in Cinema, A Symposium of Avant-Garde Film . - Nachdr. d. Ausg. San Francisco 1947. - New York: Arno Press 1968 (Hans Richter, Man Ray, John and James Whitney, Oskar Fischinger).

Taylor, Richard: Encyclopedia of Animation Techniques. Oxford u. a.: Focal Press 1999.

Thurman, Judith; Jonathan David: The Magic Lantern. How Movies Got to Move. New York: Athenauem 1978.

Vogel, Amos: Film as Subversive Art. London: C. T. Ed (u.a.) 2005.

Wees, William C.: Light Moving in Time. Chapter 6 - Making Films for the Inner Eye: Jordan Belson, James Whitney, Paul Sharits. Hosted by UC press.

Wees, William C.: Light Moving in Time. Studies in the Visual Aesthetics of Avant-Garde Film. Berkeley u.a.: University of California Press 1992. (Stan Brakhage, Jordan Belson, James Whitney, Paul Sharits).

Weiner, Steve: The Quay Brothers' The Epic of Gilgamesh and the ‘Metaphysics of Obscenity', in: Pilling, Jayne (Hrsg): A Reader in Animation studies. Sydney 2000.

Wells, Paul (Hrsg.): Art & Animation. Art & Design 53, 1997.

Wells, Paul: "Animation: Form and Meaning". In: Nelmes, Jill (Hrsg.): An Introduction to Film Studies. London: Routledge 1996, 193-220.

Wells, Paul: Understanding Animation. London: Routledge 1998.

Youngblood, Gene: Expanded Cinema. New York, Dutton 1970. http://www.ubu.com/historical/youngblood/youngblood.html . (kann als PDF-Dokument heruntergeladen werden).